The New Orleans VooDoo
Tarot
a guest review by Ian Oakes
The New Orleans Voodoo
Tarot was my first Tarot deck and, more than any of my other decks, I have
grown with this deck. As my understanding has grown, so has my appreciation
of the deck.
In the beginning,
with only minimal understanding of anything Tarot, the images mesmerized
me. Every image, whether in the major or minor arcana, seemed alive;
I almost expected them to move. While some of the spreads were obscure
in the beginning due to their strong ties to Voodoo beliefs or the
Kabbalah, the book offered several "beginners" spreads. Besides the
traditional Celtic Cross, the author describes a relationship spread and
the "Crossroads," a basic past/present/future spread.
As time passed, the
deck also served as a bridge to other spiritual paths that have come to
enrich my own journey. Of course, the text acts as an introduction
to the New Orleans Voodoo tradition. The minor arcana are all modeled
after spirits of Voodoo or Santeria (a related syncretic faith) with the
court cards based on the religious roles found in these faiths. Similarly,
the major arcana display mythological figures like the Marassa or Twins
and major figures from Voodoo's history, most notably Marie Laveau.
More surprising,
the deck also makes a nice introduction to the Western mystical tradition.
Each of the numbered minor arcana are based on the sephirot of the Kabbalistic
Tree of Life. All the aces reflect the creative faculty of Kether
while all the sevens reflect the emotion of Netzach, for example.
Since the book breaks down the minor arcana by number, you can examine
each section as a description of a branch of the Tree of Life.
In addition, for
those who use the Tarot as a meditation tool, the deck has an added bonus.
Every card's description is accompanied by a meditation that, in general,
gives a better idea of what the card represents in a metaphysical sense.
If there is a problem
some might have with the deck, it is its radical departure from traditional
Tarot notation. While it does state the traditional name of the card
in the book, the cards themselves are almost unrecognizable. The
Fool, for example, becomes the World Snake while the Magus becomes Dr.
John, a noted ritual drummer. The trend is continued in
the minor arcana
where the suits are broken into "nations" reflecting the different aspects
of Voodoo. Wands become "Petro" and Disks are grouped under "Santeria."
This means that the reader has to spend a little extra time getting to
know the cards, but it is time well spent given the richness of the deck.
Review Copyright
1998 by Ian Oakes; used with permission