I remember seeing this
deck advertised in my first US Games catalog about seven or eight years
ago, and wanting to buy it back then. However, that was in the days
before I was a deck collector, and I already owned four decks, and thought
that was too many, and $50 was too high a price to pay to add another one
to an already extraneous collection. I also didn't understand the
significance of the words "limited, numbered edition."
What this means, of course,
was that by the time I had worked my way round to being ready to buy it,
it was no longer listed in the catalog and was no longer being distributed
in the United States. I pretty much gave up hope of ever getting
one. They are available sometimes from overseas sources, but a credit
card is usually required, and I don't have one. Finally, I was able
to obtain a copy through a friend, and I have to say I still like it after
actually looking at it and holding it.
The real gems in this
deck, of course, are the Major Arcana. This deck uses scenes from
the voyages of Christopher Columbus to illustrate the Majors. For
example, the Lovers card shows Queen Isabella bestowing her blessing upon
Columbus before he departed for the new world. I don't think this
has a lot to do with the meaning of the card, and tends to just be an artistic
opportunity to show the two figures of opposite sex interacting on the
face of the card. When I first saw it, my thought was, "Is he implying
that Isabella and Columbus were having an affair?" *laugh*
Obviously this is not the case. Perhaps I've been reviewing too many
erotic tarots lately!
Other examples include
Death, which has the massacre and destruction of the American peoples by
the Spaniards, and the Devil, showing Columbus "subduing" an Indian and
thus giving birth to the slave trade. One thing that I believe is
clear from this deck is Folchi's willingness to show that Columbus was
not entirely the hero that history has made him out to be. On a more
technical note, this deck uses traditional titles on the cards instead
of descriptive ones, so that you have to refer to the booklet to understand
who is what. The titles appear in four languages; Italian and Spanish
at the top, and English and French at the bottom. The Roman numerals
appear in small circles in the top center. Each card also bears the
standard crest of Columbus at the bottom center of the images. Ordering
is traditional according to the European norm, with Justice being 8 and
Strength being 11.
The Minor Arcana are
a minor letdown (pun intended). The four suits are Coins, Wands,
Swords and Cups. When I opened the deck, the suit of Coins was first
in the Minors. The suit of coins is illustrated with scenes, some
are simple and iconistic, but they are scenes nonetheless. Each item
shown on one of the numbered cards represents one of the many "gifts" that
Columbus brought back from the New World to Spain upon his return.
Gold, fruits and vegetables, tobacco, peanuts and syrups are among those
shown. The Wands suit is my favorite in this deck, it shows the wands
crossed over the rest of the image, but each image displays a map with
Columbus' many voyages marked out. Each card has a successive voyage,
or other similar treatment. Then you get to the Cups, and it's like
Folchi's inspiration totally dried up. Each of the cups cards shows
the *same* ship at the bottom, on the same water, with only different colors
used and the cups arranged in the sky. Really silly. And finally
the swords, which don't even have attractive scenery like that, but merely
show the swords arranged against a green background. Bo-ring!
The court titles used
in the deck are the traditional King, Queen, Knight and Page. These
are always fully illustrated in Folchi's excellent style, regardless of
whether he sold out on the numbered cards or not. As for pips or
scenes, well, some pips, some scenes. This deck is an example of
how Folchi can be totally *on* and totally *off* all in the same deck.
He is one of the more prolific tarot artists around..... sometimes I wonder
if he has spread himself too thin.
The cards themselves
are standard sized and printed on an excellent cardstock, with smooth edges
and corners and come in a very sturdy box with a plastic inset to hold
the cards. This is one of the more substantial packages I've seen
in a while. The cards are very stiff and shuffling and handling is
difficult, but I'm not sure I would use this for readings at any rate so
I'd say shuffling is a minor concern. The back
design is predominantly red with crest logos and the Italcards name on
it. It is not reversible. There are two little white booklets
with this deck, each one printed from the end to the center in a different
language so you get four copies of the same meager set of instructions
to match the four languages the titles are printed in. I appreciate
this in terms of being able to read what is figured on these cards (a must
with historical decks) but regret that it limits the amount of information
that can be provided.
This deck can be hard
to come by. Places like Alida still
list it in their inventory but it is not always immediately available.
Collectors will probably enjoy it and many of the cards are really beautiful.
However, its useability is limited and so I recommend it only as an art
collectible and not as a reading deck. This is not a deck for beginners.
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Review Copyright 2000 by Gina M. Pace
Il Tarocco di Colombo
by Amerigo Folchi, 1991
published by Italcards,
Bologna, Italy