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Ancient Tarots of Marseilles
(Antichi Tarocchi Marsigliesi)
by Nicholas Conver
Another of the fine historical
reproductions produced by LoScarabeo, this deck is a modern copy of the
original woodblock deck created by Nicholas Conver in Marseilles, France,
circa 1760. Incidentally, for those who are interested, this is a
reproduction of the original deck from which the Camoin Tarot de Marseille
is offered today. Nicholas Conver's legacy to the House of Camoin,
then, is responsible for a lot of tarot tradition and history. It
makes for extremely interesting comparison to see how the original deck
looked (with this deck) and then look at how the cleaned up restoration
comes out (with the Camoin).
In comparison to modern
decks, the Ancient Tarots of Marseilles have an extremely primitive and
crude style of artwork and look very strange indeed. One must bear
in mind that these are modern reproductions of an original which is several
hundred years old. The printing press had been *invented* by this
time but was by no means in widespread use in Western Europe at the time
this deck was created; therefore, the rough quality of the artwork is due
to the process used, which was carved woodblock printing. A printer
could make up several copies of a deck at once using this method, but none
would be exactly identical, and the color process as it was applied was
very sloppy.
The Major Arcana cards
feature the series of titles which we have come to know as "traditional"
and in fact forms the basis by which all other decks are compared.
Justice is 8 and Strength 11. Since Roman numerals are used to number
the Major cards, the Fool is unnumbered; there is no Roman numeral concept
of zero. Furthermore, the old style Roman numerals are used, with
IIII for the number four, instead of the subtractive IV. The border
areas around the images on these cards are often incomplete and tight with
faded and distressed areas. If it's an authentically old look you
want, this deck has it and more!
The Minor Arcana cards
feature the now traditional numbered pip cards and highly ornamental aces,
with court cards that feature full-length figures crammed into the card
area. I always laugh at the lack of proportion used to make the knight
on horseback fit into the same size image area that the King on his throne
fits into; it always makes the Knights look like they are riding circus
ponies or something. Aside from the fact that these are really old
looking (complete with faded background color like parchment) the numbered
cards in this deck are even more boring looking than usual. Suits
are Cups, Batons, Coins and Swords, and the court titles are King, Queen,
Cavalier (Knight) and Valet (Page).
The cards themselves
are slightly smaller than standard but are printed on a thin flexible cardstock
and don't make you feel like you are handling a valuable antique that must
be treated delicately. You can shuffle this deck with ease and not
feel like you will damage it. The edges and corners are cut smoothly
and rounded. These cards have a blandish olive and light sage green
patterned back design which is
such a small tight pattern it will make your eyes cross looking at it.
It is definitely reversible. If you stare at it long enough it becomes
a solid color *grin*. There is no little white booklet but rather
the series of instructional cards at the end of the deck which are printed
in five languages and present the "Simplified Cartomancy Method" of reading
the cards. Somehow this is less of a disappointment with a deck that
obviously works better with fortunetelling type instructions than a more
modern deck would.
I highly recommend this
deck for tarot historians, and if you are going to get the Camoin Tarot
de Marseille then this is a definite must just for the fact that this one
is the granddaddy of the other. Many students of esoteric occultism
are encouraged to use Marseilles-type decks; this would be as good as any
other, I suppose, in that pursuit. I wouldn't necessarily recommend
this for a beginner, unless they were getting it for instructional comparison
with another deck. There is a shortage of material for learning tarot
with a Marseilles deck, and I can' t think of a much faster way to lose
interest than to try and learn something without having any idea whether
you're doing it right or not.
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Review Copyright 2000
by Gina M. Pace
Ancient Tarots of Marseilles
by Nicholas Conver, 1760
published by LoScarabeo,
Torino, Italy, in 1995